Μετά από πρόταση της Nina σας παρουσιάζω 8 ταινίες που με άγγιξαν, μαζί με κάποιες χαρακτηριστικές ατάκες από αυτές (..είναι να μη δω μια καλή ιδέα, αμέσως να την ξεσηκώσω. χεχε!):
Sean Devine: So Jimmy, when was the last time you saw Dave?
Jimmy Markum: The last time I saw Dave...
Sean Devine: Yeah, Dave Boyle.
Jimmy Markum: Dave Boyle...
Sean Devine: Yeah Jimmy, Dave Boyle.
Jimmy Markum: That was twenty-five years ago, going up this street, in the back of that car.
Jimmy Markum: The last time I saw Dave...
Sean Devine: Yeah, Dave Boyle.
Jimmy Markum: Dave Boyle...
Sean Devine: Yeah Jimmy, Dave Boyle.
Jimmy Markum: That was twenty-five years ago, going up this street, in the back of that car.
- Πολίτικη Κουζίνα (2003)
«Αλάτι... μπαίνει όπου πρέπει για να νοστιμέψει τη ζωή μας. Πιπέρι... είναι ζεστό και καίει, σαν τον ήλιο που βλέπει τα πάντα. Κανέλλα... είναι και πικρή και γλυκιά, όπως όλες οι γυναίκες..»
……………………………
«Στους σταθμούς των τραίνων ποτέ μην κοιτάς πίσω. Είναι σαν να αφήνεις μια υπόσχεση».
- Δεκαπενταύγουστος (2001)
Sam: You think what they think.
Rita: It doesn't matter what I think. It matters that we win.
Sam: No, you think what they think. You think Sam can't take care of Lucy!
Rita: Sam, it doesn't matter what I think!
Sam: It matters to me!
Rita: It doesn't matter what I think. It matters that we win.
Sam: No, you think what they think. You think Sam can't take care of Lucy!
Rita: Sam, it doesn't matter what I think!
Sam: It matters to me!
Lucy: Daddy, did God mean for you to be like this or was it an accident?
Sam: Ok, what do you mean?
Lucy: I mean you're different.
Sam: But what do you mean?
Lucy: You're not like other daddies.
Sam: I'm sorry. I'm sorry. Yeah, I'm sorry.
Lucy: It's ok, daddy. It's ok. Don't be sorry. I'm lucky. Nobody else's daddy ever comes to the park.
Sam: Yeah! Yeah! Yeah, we are lucky. Aren't we lucky? Yeah!
Sam: Ok, what do you mean?
Lucy: I mean you're different.
Sam: But what do you mean?
Lucy: You're not like other daddies.
Sam: I'm sorry. I'm sorry. Yeah, I'm sorry.
Lucy: It's ok, daddy. It's ok. Don't be sorry. I'm lucky. Nobody else's daddy ever comes to the park.
Sam: Yeah! Yeah! Yeah, we are lucky. Aren't we lucky? Yeah!
Sam: OK, remember when Paul McCarthney wrote the song "Michelle" and then he only wrote the first part, Annie said. And then he gave that part to John Lennon, and he wrote the part that said, "I love you, I love you, I love you." And Annie said that it wouldn't have been the same song without that... and that's why the whole world cried when the Beatles broke up on April 10, 1970.
Nash: Perhaps it is good to have a beautiful mind, but an even greater gift is to discover a beautiful heart.
Nash: Find a truly original idea. It is the only way I will ever distinguish myself. It is the only way I will ever matter.
Nash: I don't exactly know what I am required to say in order for you to have intercourse with me. But could we assume that I said all that. I mean essentially we are talking about fluid exchange right? So could we go just straight to the sex.
Nash: If we all go for the blonde and block each other, not a single one of us is going to get her. So then we go for her friends, but they will all give us the cold shoulder because no on likes to be second choice. But what if none of us goes for the blonde? We won't get in each other's way and we won't insult the other girls. It's the only way to win. It's the only way we all get laid.
- The Green Mile (1999)
Paul Edgecomb: On the day of my judgment, when I stand before God, and He asks me why did I kill one of his true miracles, what am I gonna say? That is was my job? My job?
John Coffey: You tell God the Father it was a kindness you done. I know you hurtin' and worryin', I can feel it on you, but you oughta quit on it now. Because I want it over and done. I do. I'm tired, boss. Tired of bein' on the road, lonely as a sparrow in the rain. Tired of not ever having me a buddy to be with, or tell me where we's coming from or going to, or why. Mostly I'm tired of people being ugly to each other. I'm tired of all the pain I feel and hear in the world everyday. There's too much of it. It's like pieces of glass in my head all the time. Can you understand?
John Coffey: You tell God the Father it was a kindness you done. I know you hurtin' and worryin', I can feel it on you, but you oughta quit on it now. Because I want it over and done. I do. I'm tired, boss. Tired of bein' on the road, lonely as a sparrow in the rain. Tired of not ever having me a buddy to be with, or tell me where we's coming from or going to, or why. Mostly I'm tired of people being ugly to each other. I'm tired of all the pain I feel and hear in the world everyday. There's too much of it. It's like pieces of glass in my head all the time. Can you understand?
Paul Edgecomb: Yes, John. I think I can.
- The Sixth Sense (1999)
Cole Sear: I see dead people.
Malcolm Crowe: In your dreams?
[Cole shakes his head no]
Malcolm Crowe: While you're awake?
[Cole nods]
Malcolm Crowe: Dead people like, in graves? In coffins?
Cole Sear: Walking around like regular people. They don't see each other. They only see what they want to see. They don't know they're dead.
Malcolm Crowe: How often do you see them?
Cole Sear: All the time. They're everywhere.
Malcolm Crowe: In your dreams?
[Cole shakes his head no]
Malcolm Crowe: While you're awake?
[Cole nods]
Malcolm Crowe: Dead people like, in graves? In coffins?
Cole Sear: Walking around like regular people. They don't see each other. They only see what they want to see. They don't know they're dead.
Malcolm Crowe: How often do you see them?
Cole Sear: All the time. They're everywhere.
Cole Sear: She wanted me to tell you...
Lynn Sear: Cole, please stop...
Cole Sear: She wanted me to tell you she saw you dance. She said, when you were little, you and her had a fight, right before your dance recital. You thought she didn't come see you dance. She did. She hid in the back so you wouldn't see. She said you were like an angel. She said you came to the place where they buried her. Asked her a question? She said the answer is..."Every day." What did you ask?
Lynn Sear: Do... Do I make her proud?
Lynn Sear: Cole, please stop...
Cole Sear: She wanted me to tell you she saw you dance. She said, when you were little, you and her had a fight, right before your dance recital. You thought she didn't come see you dance. She did. She hid in the back so you wouldn't see. She said you were like an angel. She said you came to the place where they buried her. Asked her a question? She said the answer is..."Every day." What did you ask?
Lynn Sear: Do... Do I make her proud?
· Frankie and Johny (1991)
Frankie: Why do you want to kill yourself sometimes?
Johnny: I want to kill myself sometimes when I think that I'm the only person in the world and that part of me that feels that way is trapped inside this body, that only bumps into other bodies, without ever connecting to the only other person in the world trapped inside of them. We have to connect. We just have to.
Johnny: I want to kill myself sometimes when I think that I'm the only person in the world and that part of me that feels that way is trapped inside this body, that only bumps into other bodies, without ever connecting to the only other person in the world trapped inside of them. We have to connect. We just have to.
Johnny: You don't have to be afraid anymore.
Frankie: I am. I'm afraid. I'm afraid to be alone, I'm afraid not to be alone. I'm afraid of what I am, what I'm not, what I might become, what I might never become. I don't want to stay at my job for the rest of my life but I'm afraid to leave. And I'm just tired, you know, I'm just so tired of being afraid.
Frankie: I am. I'm afraid. I'm afraid to be alone, I'm afraid not to be alone. I'm afraid of what I am, what I'm not, what I might become, what I might never become. I don't want to stay at my job for the rest of my life but I'm afraid to leave. And I'm just tired, you know, I'm just so tired of being afraid.